the vigil: reviews "An amiable cast of engaging characters . . . original . . . The helmer's obvious regard for his creations, and his cast, [is] evident throughout . . . Alternarock soundtrack suits disenfranchised mood." Variety "Road movie rocks." The Vancouver Province "Intelligent and funny." The Rational, Co-op Radio "I want to talk about the vigil as a film that fits into the road movie genre, because it does and it doesn't." Radiosonic, CBC "[He's] really shaken things up..." The Afternoon Show, CBC Radio "British Columbia boosters can take considerable pride in Justin MacGregor's The Vigil, a wry and appealing road picture . . .the vigil's examination of the differences between a real family and the 'tribalism' of people who merely share the same lifestyle is interesting. (Hot soundtrack, too)." Monday Magazine "Quirky, funny, fresh." The ANZA Newsletter "His movie frames Cobain's 1994 death as a cathartic, defining moment for [two] brothers and their friends, and by extension their generation." The Vancouver Province "A thematic celebration of failure." Steven Scobie Winner – Governor General's Award for Poetry "A trio of Lethbridge College students find their banal lives are shaken by the suicide of rock star Kurt Cobain and the subsequent arrival the next morning of one guy's younger brother, girlfriend in tow, who convinces the group to head to Seattle to participate in the vigil to commemorate Cobain's death. Along the way, they pick up a hitch-hiking musician and a wisecracking post-graduate student. Sounds like they're on a collision course with wackiness? Thank god, that's not the case. At first glance, it seems as though director/writer Justin MacGregor has stocked this film with characters familiar to readers of Douglas Coupland or Nick Hornby; directionless, sarcastic people defined by the bands they listen to and the surface philosophies they adhere to. Wisely, he allows them to grow beyond being generational commentators. The road movie seems to be the favorite Canadian setting of the moment, but it's here MacGregor allows his characters to break out of their self obsessed lives and really take a look around them. 3 1/2 Stars" SEE Magazine the vigil: festival guides Following Kurt Cobain's suicide in 1994, a group of twentysomethings leave Lethbridge, Alberta, on a journey to join the vigil for him in Seattle, learning about life, love and death along the way. A wry and appealing road film. Local Heroes International Film Festival 2000 Justin MacGregor's heart-felt feature debut begins with The Pursuit of Happiness' tune "I'm An Adult Now," and ultimately this is a film about a displaced generation coming of age. The benchmark here is the 1994 suicide of Kurt Cobain, the catalyst for this story of a group of twentysomethings who leave Lethbridge, Alberta, to join the vigil in Seattle. When his younger brother arrives at his door the morning after Cobain's suicide, Simon (Damon Johnson) is convinced to pull the 38-foot Winnebago out of storage and head off to Seattle for his generation's version of Woodstock. As the trip progresses and they pick up hitchhikers, long-buried feelings arise between Simon and his brother Jase (Trevor White), setting in motion tensions which threaten to tear the whole group apart. A strong ensemble piece, the content of the film is the young people themselves, as who they are and why they are heading to Seattle become the core of the film. Along the way this humorous drama takes up a potpourri of issues including vegetarian politics, sibling miscommunication, post-structuralist analysis of fairy tales, the evils of hair spray rock, global warming, the consequences of over-scooping ice cream, dysfunction, mourning and suicide. With plenty of kick-ass music, this is a film for anyone who has received final notice from the Royal Bank giving them two weeks to pay their student loan in full, vegetarians who have worked flipping hamburgers to avoid their final notices and anyone who wanted to join the vigil at Seattle Centre. Ken Anderlini Vancouver International Film Festival